Someone broke into D4vd’s Apple Music account and uploaded a song called ‘I Did It’ while he’s currently facing murder charges and attending pre-trial hearings. The track briefly appeared on his profile before being removed. The timing is so perfectly stupid that it reads like a marketing campaign that went through legal review and still got approved.
This is what passes for a scandal in 2026: a hacked artist page becomes a promotional vehicle, the song title becomes the headline, and the actual legal proceedings fade into background noise. The song probably got more streams in two hours than D4vd’s legitimate discography generates in a month. That’s not a bug in the system—that’s the entire system working exactly as designed.
Who hacked it? Nobody knows. A disgruntled fan, a rival artist, someone who thought they were being clever, or possibly D4vd’s own team running a play so audacious it loops back around to plausible deniability. The platform removed it. The song is gone. The narrative remains.
In the pre-internet era, you had to work for notoriety. Now it arrives as a notification. The real question isn’t whether this was intentional—it’s whether anyone still remembers what actual crimes are supposed to look like when they’re packaged this well.